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THREE:Broad streets crossing each other at right angles; houses, palaces, archways flanked by towers, and colonnades, all alike covered with pink-washed plaster decorated with white. And all the buildings have the hasty, temporary appearance of a town run up for an exhibition to last only a few months.The heavy door, plated with iron, was shut. Hubbub, shouts, thumps on the wood with gun-stocksnothing stirred, no reply.
FORE:The attendants threw water on the pauper's pyre, and then with their long bamboos pushed the mass of burnt wood and flesh into the Ganges, where it looked like some enormous black frog with a white patch for the head.But the enchantment of this rose-tinted land, vibrating in the sunshine, is evanescent. The city[Pg 3] comes into view in huge white massesdocks, and factories with tall chimneys; and coco-palms, in long lines of monotonous growth, overshadow square houses devoid of style.
TWO:In the midst of a large room crowded with women in light-hued sarees, the bridegroom takes his seat between two tables, on which are large trays of rice. Facing him is a chair, and one is occupied by the bride, who is brought in by a party of girls. She is scarcely fourteen, all in white; on her head is a veil of invisibly fine muslin ten folds thick; it enfolds her in innocence, and is crowned with sprays of myrtle blossom.
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THREE:A few officers, a few clergy only, had organized some distribution of relief; the administration,[Pg 197] wholly indifferent, was drawing double pay in consideration of the increase of work in famine time.From Kusshalgar we were travelling in a tonga once more. The landscape was all of steep hills without vegetation; stretches of sand, hills of claylilac or rosy brick-earth scorched in the sun, green or brown earth where there had been recent landslips, baked by the summer heat to every shade of red. There was one hill higher than the rest, of a velvety rose-colour with very gentle undulations, and then a river-bed full of snowy-white sand, which was salt.

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FORE:All round the post-office there is invariably a crowd of natives scribbling in pencil on post-cards held in their left hands. Their correspondence is lengthy, minute, and interminable; in spite of their concentration and look of reflection I could never bring myself to take them seriously, or feel that they were fully responsible for their thoughts and actsmachines only, wound up by school teaching, some going out of order and relapsing into savages and brutes.
THREE:Then at Peshawur again in the evening, girls, with groups of soldiers in red jackets or Scotch kilts; the common women were horrible, whitened,[Pg 251] with loose shirts and tight-fitting trousers. One alone sat at her window wreathed about with mindi flowers in the crude light of a lamp. The others accosted the passer-by, laughing and shouting in shrill tones.Close to a temple, of which the cornice is decorated with female figures holding musical instruments, on a sort of terrace a party of youths were making a distracting din with brass instruments, acutely shrill, and, of course, tom-toms. Two very small temples covered with brass that shines like gold stand in the bazaar to mark the beginning and end of the coppersmiths' quarter, where every stall rings with the tinkle of the little hammers tapping the metal that is beaten into trays and pots and a thousand vessels for the worship of the gods and for domestic purposes. Workmen aged four, the great-grand-sons of the master-smith, were already trying their 'prentice hand, chiselling the hard metal with a free touch, and ornamenting cups and bowls of traditional shape. And this is the only part of the calm and lazy city, living on its temples and its sacred river,[Pg 161] where the visitor feels himself a "tourist." Here the shops for the special craft of Benares are furnished with the unwonted luxury of chairs, and some display of signs and wares is made. Further on is a large open place full of piles of flowers, garlands of jasmine and marigold, and heaps of rose petals to be strewn on the water.

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THREE:All alike were fevered from the deafening music of harmoniums and tom-toms performing at the back of each gambling-bootha din that drowned shouts of glee and quarrelling.

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THREE:[Pg 196]

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THREE:Close to a shop where I was bargaining for some old bronzes, in an open booth, and quite alone among the metal jars and trays, sat a boy of four, his only garment a green silk jacket bordered with blue velvet, stitched with silver thread; there was nothing between the little vest and his bright bronze skin. He had a blue cap embroidered with gold, and his eyes were darkened with khol. He was drawing lines very neatly on a slate, and then wrote beneath them the pretty Hindoo letters that look like cabalistic signs, saying them as he went on, pa, pa, pa, pi, pi, pi, pa?, pa?, pa?, pom, pom, pom, till at last, seeing that I was looking at him and smiling, quite fascinated by his pretty ways, he burst out laughing, a hearty, happy, baby laugh, and then gravely went on with his business again.

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  • FORE:The city produces an impression as of a town built in the clouds and then dropped, scattered over the plain with vast arid and barren spaces left between the houses. In the native and Moslem quarters, indeed, there is a crowd of buildings, closely packed, crammed together on quite a small plot of ground; and among them the electric tramway runs its cars, useless just now, and empty of travellers, for it is the beginning of Ramadan, and the Mohammedans in broad daylight are letting off crackers in honour of the festival.

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  • FORE:We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.

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  • FORE:The regiment is housed under sheds, the horses picketed to the ground by one fore and one hind foot. They are thoroughbred and magnificent beasts, almost all from the prince's stud, and affectionately cared for by the men, who were delighted to be complimented on their steeds.Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.

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  • FORE:And in the evening at messa dinner given in honour of a regiment marching throughnews was brought in that close to Bunnoo, in the Kurrum valley, two travellers had been murdered in the night.We changed horses every five miles; ill-kempt little beasts, and only half fed, who got through their stage only by the constant application of the whip, and shouts from the sais standing on the step; when released from harness they stood forlorn and hobbled off, lame of every leg, to their stables with no litter. Day broke, a dingy grey, dark with woolly cloud and heavy rain; a wall of fog rose up around us, while the road was uphill towards the mountains.

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  • FORE:Outside the night is moonless, deep blue. Venus seems quite close to us, shining with intense brightness, and the jasmines scent the air, softly lighted by the lanterns which burn out one by one.

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  • FORE:In the afternoon the Minister came to take us to the palace. The Rajah, with his cousins, met us at the[Pg 66] foot of the grand staircase; a detachment of sowars were on guard. With great ceremony, preceded and followed by an army of officials and attendants, we went up to a room where a silver throne, inlaid with gold, of exquisite workmanship, between two armchairs of massive silver, looked quite out of keeping with gilt wood chairs with tapestry seats, and the everlasting Brussels carpet of poor and glaring design. On the various tables was the latest trumpery from Oxford Streetplush frames and varnished wooden screens; a shower of glass lustres hung from the ceiling.

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